Originally written by Scott Joplin in 1911, Treemonisha tells the story of a young Black woman who leads her community into the revolutionary future. Fusing European classical music with ragtime, folk, and gospel, Treemonisha is one of the few immediate post-slavery era pieces written by a Black person who actually lived through it. 

In Inuktitut, Aalaapi means “Choosing silence to hear something beautiful.” Immerse yourself in a theatrical performance which combines the sounds of the North – creaking snow, whistling winds, and voices in Inuktitut, French and English – with radio documentary, to reveal the daily lives of women in Northern Quebec.

Drawing on radio’s central role in the North, Aalaapi steps into the world of two friends, Nancy and Ulivia, sharing a cabin in a small village in Nunavik. As images scroll across the cabin, an intimate portrait of young women in Northern communities, depicted through speech, sound and silences, reveals the richness of their history and the power of their future. 

Aalaapi is an invitation to listen deeply. 

An operatic celebration of Chinese tradition with a Canadian backdrop. Time-travel to ancient China with Xiao Lian, a contemporary Chinese-Canadian woman yearning for independence and bound by love, who discovers the rich history of dragon boating. From the creators of Tapestry Opera’s smash-hit Iron Road composer Chan Ka Nin and award-winning playwright and librettist Mark Brownell. 

Written by Ian Kamau and his father Roger McTair, Loss is a live-art, multi-media performance that explores the trauma of loss in Afro-Caribbean communities. This intergenerational family story begins with Ian’s own winter of depression and slowly unravels the mystery surrounding the death of Ian’s paternal grandmother Nora Elutha Rogers. Featuring live music, video, and storytelling in an immersive and intimate experience, Loss is a healing ritual shared with the audience.  

Nuit is legendary Canadian choreographer Jean-Pierre Perrault’s seminal work exploring the individual within the collective through fiery, demanding contemporary dance. During the harsh night, eight performers grapple with the hurly-burly of everyday life, pushing themselves to the limit where tensions emerge and a troubling, subterranean vulnerability is expressed.  

In Nuit dance becomes a “sculptural material endowed with mobility”, which makes this a major work, not only in Perreault’s legacy but in the history of Canadian choreography.