Free // Visual Arts // Partnerships  

Imposition of Order: Jeff Thomas (2017)

Commissioned by Art Gallery of Ontario

June 14 – 25, 2017

Runs for the duration of the festival through to September 2017.
Every. Now. Then: Reframing Nationhood opens June 29, 2017.
More info
Art Gallery of Ontario

Jeff Thomas’s composite photo work Imposition of Order was commissioned for the Art Gallery of Ontario exhibition Every. Now. Then: Reframing Nationhood (curated by Andrew Hunter, Fredrik S. Eaton Curator, Canadian Art, AGO, June 2017 – February, 2018). The work combines four significant images: Samuel de Champlain’s map of New France (1612), The Champlain monument in Ottawa, William Berczy’s Portrait of Thayendanegea or Joseph Brant (the Mohawk war chief who led the Haudenosaunee Confederacy to fight with the British during the American Revolution); The Haldimand Tract map defining the territory along the Grand River granted to the Haudenosaunee Confederacy in recognition of their service. The Haldimand Tract defined a twelve-mile wide area along the entire length of the Grand River, equaling about 950,000 acres. Today, only 48,000 acres remains of this original grant with much of the tract now occupied by settlers. Mounted to the front of the St. Lawrence Centre, Imposition of Order faces Berczy Park, named for the artist who produced several compelling portraits of Thayendanegea (Joseph Brant). This portrait is from The Thomson Collection at AGO.

I am an urban-Iroquois. You won't find a definition for 'urban Iroquois' in any dictionary or anthropological publication - it is this absence that informs my work as a photo-based artist, researcher, independent curator, cultural analyst and public speaker. My study of Indian-ness seeks to create an image bank of my urban-Iroquois experience, as well as re-contextualize historical images of First Nations people for a contemporary audience.

I’ve been looking at maps, specifically in relation to this year’s anniversary and how colonization changed and demarcated Turtle Island. It’s the subtle view of commemoration and the markers that we usually don’t call into question. Ultimately, my work is about how we feel as Indigenous people: our invisibility in urban spaces, where our stories aren’t told and how our interpretations of living in the world aren’t reflected. It’s a way to address the erasure of our culture and history, and bring our stories back into focus.
– Jeff Thomas
Presented by Art Gallery of Ontario and Luminato in association with Civic Theatres Toronto