Bojana Stancic is Program Curator of Performance and Live projects at the Art Gallery of Ontario. In nearly ten years in her role she worked on the late night series First Thursdays, subsequently launching AGO Live, a series of large scale performances throughout the building that hosted the Canadian premiere of Zadie Xa’s performance work Grandmother Mago, an in-gallery edition of choreographer Daina Ashbee’s work Serpentine, Merce Cunningham Trust’s centenary celebration and an original commission for antiphonal choir by Owen Pallett, amongst others. Prior to working at the AGO, Bojana was a performance designer who worked with experimental dance and theatre artists, as well as artist liaison for a Swiss-Canadian music festival. She holds a Bachelor degree in Theatre and Semiotics from University of Toronto, and an MFA in Curating from Goldsmiths, University of London.
Bojana Stancic is Program Curator of Performance and Live projects at the Art Gallery of Ontario. In nearly ten years in her role she worked on the late night series First Thursdays, subsequently launching AGO Live, a series of large scale performances throughout the building that hosted the Canadian premiere of Zadie Xa’s performance work Grandmother Mago, an in-gallery edition of choreographer Daina Ashbee’s work Serpentine, Merce Cunningham Trust’s centenary celebration and an original commission for antiphonal choir by Owen Pallett, amongst others. Prior to working at the AGO, Bojana was a performance designer who worked with experimental dance and theatre artists, as well as artist liaison for a Swiss-Canadian music festival. She holds a Bachelor degree in Theatre and Semiotics from University of Toronto, and an MFA in Curating from Goldsmiths, University of London.
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